Guide to Real Photo Postcards This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. Although real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate. In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys. Though most of us today are familiar with the concept of photo grain, this is mostly because we have experienced very large prints made from small 35mm negatives. But even here the effect is more of a softening of detail than a observable texture. Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture. Collotypes, which provide the finest detail of all printing methods are sometimes confused with real photo postcards.
Dating Kodak Photo Paper
He has done more than anyone else to ensure the preservation of colour images from the early days of railway colour photography. His book contains a colour portrait of the wonderful chap. Died 11 June aged Early user of colour film. Whitehouse took up railway photography in the s, but soon abandoned the traditional three-quarters front view of the passing train and began to favour the ‘pictorial’ shot, in which setting was as important as the subject.
Encouraged by ‘Cam’ Camwell he also photographed what were then considered unusual subjects:
AZO Stamp Boxes. One of the popular photographic papers used for producing real photo post cards was Kodak Professional AZO Paper.. This was suitable for making contact prints, rather than enlargements for which the source of light would be much weaker.
Retrieved July 17, It is – literally – located in his townhouse in West Seattle. Printing pictures Find great deals on eBay for kodak photo paper 4×6. Folks – some help needed here from you Kodakians out there, please! Kodak paper Kodak Photo Paper reviews at Shopzilla.. Stores are responsible for providing Shopzilla with correct and current prices. A tutorial to help everyday people add the dates to photos in your digital and.
He had a bookcase full of old Kodak paper boxes in which he stored his negatives, some of which had both codes printed on the labels. Kodak VELOX paper was a very slow printing paper, producing a blue-black image, suitable for contact printing only, where the negative is placed in contact with the paper to produce a print of the same size. Kodak discontinued the manufacture of Velox paper in They could also be used for contact printing.
Bromide paper gave a neutral black image.
The machine uses dye-sublimation technology, which isn’t as precise as inkjet but much more vivid than zero ink, or zink, print technology. Dye-sublimation uses layers of color and heat transfer to create images, so you only have to install a single cartridge in the Kodak Photo Dock.
Are Your Lenses Really “Hot”?!! Industar 61 lens lanthanum glass Lens Faults Pages Photo. Net on Radioactive Lenses gamma levels.. Radioactive Pentax Lens GM tube sound file.. Govt Surplus “Hot” Cameras and Lenses You will find two kinds of radioactive lenses – those that were contaminated and sold as government surplus, and those that are naturally “hot” or radioactive due to the radioactive elements or radioactive impurities used in their manufacture. If you want to buy some slightly radioactive lenses and cameras, the U.
Government has a lot of them for sale – cheap!. Maybe some of those bargains you got on EBAY are “hot” in a different sense than you might have thought! I am assuming that heavily contaminated and radioactive government surplus items end up in government low level radioactive waste land-fills or other burial sites. So if your government surplus bargain camera or lens is contaminated, it is probably only “lightly” contaminated.
The Infamous British White Paper
When he took a picture with the camera, the system would automatically dial up his Web server and upload the picture to it at baud. The server would send email alerts to a list of friends and family, who could then log on and view the photo. The system would send email notifications to everyone at that list, directing them to visit the host Web page to view the picture.
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The image can be seen specifically on this page scroll down to the middle , among other items of the online exhibit. Did you notice anything out of place? Or perhaps, out of time? The man with what appears to be very modern sunglasses seems to be wearing a stamped T-shirt with a nice sweater, all the while holding a portable compact camera! Internet people reached to the obvious conclusion: Finally, we have proof!
If the story seems straight out of a movie and the photo is in itself a great funny find, the most amusing thing i came up with while looking into this — as an Internet person, on the Internet — was the reply for a skeptical, or perhaps somewhat cynical comment on how spurious it would seem the idea that a time traveler would want to visit the reopening of a bridge in some small town in Canada.
But if we are considering time travel, how can we know if in some other timeline something historical happened right there? Once you consider time travel, everything changes. It was put online since February this year, perhaps before that. Given the source, we would assume the photo is authentic, and correctly dated to c. Indeed, an Error Level Analysis suggests the image was not digitally tampered with, or at least that if it was, the author was smart enough to normalize the error across the whole thing.
And again, given the source, we would assume it was not a job. So, how do we explain the man out of time?
The Infamous British White Paper
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It was a spotter’s paradise, and I wish I could have gone there more often, but as the journey involved catching a train from Leeds and changing stations at Manchester, my mother had a morbid fear that her small boy could get lost somewhere along the way. It never dawned on me that she had another, more tangible reason, like ‘Mother Love’, for example, but since she offered no other explanation, her refusal seemed very unfair.
Didn’t she realise how important this was to me? But the answer was an emphatic ‘No, no, no! A few weeks later I met the doyen of young train spotters called Bonzo. Aged thirteen, he was a veritable professor on railways, who taught me all I needed to know about the Stanier ‘Black 5’ two-cylinder s with Belpaire fireboxes, tapered boilers and outside Walschaerts valve gear; the 3-cylinder express variant ‘Jubilee’ class and rebuilt ‘Royal Scots’, and the 4-cylinder ‘Princess Royal’ and ‘Coronation’ class Pacifics.
The ‘Coronations’ included the ex-streamlined locos which had been stripped of their casing in , yet instantly identifiable by their bevelled smokebox tops. The LMS hierarchy was keen to have a crack at the record and upon completion of they invited the press for a special run from London Euston to Crewe on June 29th In order to get the best performance out of the loco a section of the WCML’s maximum speed limit was raised for the attempt, but it wasn’t until the special train got perilously close to Crewe that the LNER record was eventually beaten – the LMS claimed a peak of mph recorded on the chart of the loco’s speed-recorder.
Click on photo to see the full ‘Coronation Scot’ train.
When World War I ended at the end of , the rate was lowered to its prewar level of one cent. The postal rate was raised briefly from 1 cent to 2 cents in and in ; the conclusive raise to 2 cents was in Commission Rate Board overestimated revenue needs in and was forced to reduce the postage rate in These were illustrations on government-printed postal cards and on privately printed souvenir cards.
Crewe! It was a spotter’s paradise, and I wish I could have gone there more often, but as the journey involved catching a train from Leeds and changing stations at Manchester, my mother had a morbid fear that her small boy could get lost somewhere along the way.
Charlie Kamerman has recently February sent me some pictures of items within his amazing collection of early Kodak films. Charlie says “I have hundreds of boxes of film from through the ‘s. And do take a look at Charlie’s site www. The new couplers were incorporated into a resinous binder. The colour couplers were then within the emulsion but not in complete physical contact with it. Only one colour developer and one bleach bath were required.
Kodacolor Aero was mainly used by the United States Army Air Force for reconnaissance purposes, the special feature of this film was that it could be processed anywhere without elaborate equipment.
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Dating photos using branding and codes May 18, 6: I am working on a photo album and trying to sort the pictures by year. I’ve already looked for timestamps and clues in the pictures, but there are a few that I can’t figure out. I understand that there are pitfalls to this method e. I’ve tried Googling for more info on the years different branding was used, and had no luck.
Film Developing Process, Print & Scan. We offer APS, 35mm and medium format services, as well as black and white developing and printing.
History[ edit ] Developing color by using an oxidized developer was first suggested by German chemist Benno Homolka, who, by oxidizing indoxyl and theo-indoxyl, developed insoluble green and red dyes on a latent image. Although Homolka noted that these developers could create beautiful photographic effects, he didn’t suggest using this developer in a color photographic process. In spite of this, Fischer never created a successful color print due to his inability to prevent the dye couplers from moving between the emulsion layers.
This first solution to this problem, found by Agfa workers Gustav Wilmanns and Wilhelm Schneider, was creating a print made of three layers of gelatin containing subtractive color dye couplers made of long hydrocarbon chains, and carboxylic or sulfonic acid. This turned the dye couplers into micelles which can easily be scattered in the gelatin while loosely tethering to it. They used ionic insoluble carbon chains which were shorter than Agfa’s for their dye couplers, which were suspended within droplets of water in the gelatin layers.
It became the cheaper and simpler to develop counterpart to the alternatives at the time,  and could be used in the simplest of cameras. Although the paper’s name was changed to “Kodak Ektacolor Paper” in , the terminology “Type-C Print” persisted, and has become a popular term for chromogenic prints made from negatives still in use today,  with the name “Type-R Print” becoming its reversal film counterpart.
The pioneers in using chromogenic prints, and color prints and photographs as a whole, in fine-art were photographers such as Ernst Haas ,  which was profiled by the Museum of Modern Art in its first single-artist exhibition of color photography in After exposure, the silver image is developed or reduced by a color developer. In its reaction to the print, the color developer is oxidized in the areas of exposed silver, and subsequently reacts with another chemical, the dye coupler, which is present throughout the emulsion.
Different dye couplers are used in each of the three layers, so the reaction forms a different colored dye in each layer. Responding to both exposure and development, a blue-light-sensitive layer forms yellow dye, a green-light-sensitive layer forms magenta dye, and a red-light-sensitive layer forms cyan dye.
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A chromogenic print, also known as a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency, or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color.
The opinions expressed in the comment section are the personal views of the commenters. Comments are moderated, so please keep it civil. They took in and saved my direct family, who were helped and financed by non-Jews to escape Eastern Europe in the s. I consider myself a proud English Jew, and can honestly and wholeheartedly say, the only anti-Semitism I have ever experienced in Britain has been from a muslim on a train, who noticed me wearing the Star of David. To assure that we would get involved, he cut off oil exports to Japan in order to try to get them to stop ravinging Asia.
Instead, as he must have known, he brought about Pearl Harbor. Jews who read it and took it to heart, left Germany and Poland. They knew Hitler was not kidding.